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Maria Larsson’s Everlasting Moments

12 Jan

On a whim I watched Maria Larsson’s Everlasting Moments, a foreign period film about the well-worn, if also well-acted, story of a woman who finds an artistic outlet (as it happens, photography) to ease the brow-furrowing aspects of her marriage.

It was a quiet movie and there were two endearing moments. One where the man at the photo lab projects the flight of a moth onto Maria’s hand with a small lens (not very doable in real life), and another in which we see a glimpse of one of Maria’s fledgling photos. I wish we got an unobstructed look at the whole thing. It’s a tantalizing photo of a girl laid out in wake fashion as kids look at her through frosted panes of glass.

Even if photography wasn’t the central subject of the movie, it’s nice to see films portraying photography as something that adds that bit of something to a person’s life without the usual flim flam of high speed flashes, Blow-Up style acrobatics and gooey profundity.

Empire City, Wonder City

8 Jan

Empire City, Wonder City from Jin Zhu on Vimeo.

Another video I’ve stitched together. This one is pretty self explanatory. Too bad I couldn’t get more of a businessman as civic leader angle into it, but I may tweak it soon, if only to add a line about America being the envy of the world. I’m not sure I like this one as much as I liked the last one. This seems a bit done before, but I’m intent on continuing with it if only for the unevolved logos because I love how Nyman’s music interacts with the ‘vintage’ footage. I can’t believe some of the educational films that were made in the ’50s. My new obsession is watching declamatory government sponsored educational footage on Archive.org.

I’m just starting to discover the video world and I’ve got that inertial early feeling of not knowing where to look. I’m just starting to check out the Vimeo community (reminds me of when I joined Flickr!), videoart.net and Aspect, but I have no idea what the landscape is like. Kinda exciting. First sightings, “land ho!” and all that. It’s a good medium for working with sound too. I was doing a bit of college radio last year and it occurred to me that the best films and movies are always the ones that you can also just simply listen to.

On a more personal note, I am officially done with all the coursework for my degree, and am just waiting on conferral, which will happen in spring due to some technical paperwork issues. So now I suppose I pass into the odd jobs and applying to everything phase of life. A little daunting, but also exciting since I can actually plan a spring trip to the SW without much constraint. I’m free!

Social Class in America

19 Dec

For my last video assignment I looked at a lot of footage of educational and semi-propagandistic films from the ’50s and while I didn’t get to include very much from this one, I am fascinated by the framework – three hypothetical boys in upper, middle and lower classes grow up to lead different lives, but gee whiz, there’s upward mobility in the middle class!

I’m becoming increasingly wary of the supposed social mobility in this country (after all, there’s downward mobility too – “trickle up” economics, anyone?), especially since I’m eyeing Winner Take-all Politics, but some of the videos are great just for the visuals. Maybe not this one. Are we still making these sort of videos today? Not collected in one place, though, I assume.

Nice to METT you

11 Nov

Nice to METT You (Pleasure’s All Mine) from Jin on Vimeo.

I love working with found video – to my brain that’s closer to the way I photograph than generating my own video would be. There’s a variety of approaches on similar subject matter that I think I’d be incapable of generating on my own, with my single lonely head, and I’m not sure I ever want to deal with the complex lighting and physical camera support issues that video demands a solution for. But I love editing. There’s something about the meticulousness of syncing image and sound, of cadence and micro changes in duration of clips that is satisfying to no end. No really – to no end.

This weekend, I finished the first video that I’m fairly happy with. For the record, my favorite bit has to be the audio on happiness and, more trivially, the fact that the sound for that parting shot is actually the slowed down audio replay of a slap in the face. It’s rough, but even if this little piece isn’t an end in itself, it makes me want to gather up more material and make more, which is exciting.

For the record, the title’s not a misspelling. METT is Paul Ekman’s Micro Expression Training Tool, which is a package of video and interactive tests aimed at law and order professionals interested in more effective interrogation through the ability to read suspects’ and interviewees’ faces. I found the professional voice-over and the slo-mo replays of basic expressions in the training videos fascinating in an almost surreal way, especially when contrasted with the almost imperceptible blinks of the actual fleeting expressions in the practice sections. I’m tempted to post one of the full videos, but that’s probably not fair use, considering this is a commercial product. (Is putting it into an art video even fair use?)

Last Friday, the Mehserle sentence came down and the protests were in the local news. It worked itself into the video. I’m not sure at this point I can be any more articulate about what it’s “about” (let’s be clear – it’s by no means “about” Oscar Grant), but it’s a stew arising out of:

  • the ugly and mildly scary efficacy of detecting and projecting emotions in the context of interrogation
  • how emotionally charged the name Oscar Grant has become in Oakland
  • the ambiguity of intention in such a fatal encounter, even when seen and recorded (murky cellphone footage, but nonetheless a man being shot from afar, so avoid if you’re unwilling to watch such things) by many witnesses.
  • all the details we can see in slow motion that are completely lost at fast or even normal speed
  • the ambiguity of non-linguistic communication, especially for say, autistics (I was reading Gladwell’s Blink at the time, which was how I learned about Ekman in the first place.)

    and last but not least,

  • the cheesy, almost self-help marketing of the METT tool, which involves a test that earns you a janky digital certificate (I’m an “expert”!). The FACS manual – an encyclopedia of the most subtle and minute expressions – seems much more interesting…

Part of my fascination with Ekman is that he seems to be at once a heavyweight in his field in terms of his FACS work yet also one of those popsci experts frequently seen on TV. In fact, Tim Roth’s character in fun if scientifically unsound show Lie to Me seems based on him. It took me a while before I made the connection between the two names, and I only did because, I confess I’m a mild fan of Roth and the show.

I can’t be the only one who finds all of this hugely compelling. It’s like data collection meets Gladwellian popular science meets race and politics (METT is very explicitly multi-ethnic). Meticulous categorization of facial expressions turns into a vague idea of expert lie detection bandied about on national primetime TV as it’s also being researched earnestly in labs. A few weeks ago, having to pick up an unassigned shot, I ended up listening to the better part of a panel on fMRI testing as lie detection. Turns out there are court cases where lawyers are attempting to enter such tests into evidence. The experts assembled (Anthony Wagner on the science side and David Faigman on the law side) roundly dismissed the validity of such tests (there’s almost no way to distinguish brain activity associated with lying from activity associated with memory tasks or being witness to a memorable event, especially one with a clear ethical tint), but lie detection seems to be attractive enough of an idea that services like No Lie MRI (seriously) already exist. Pay to get documentation of your truthful brain! Or, if the results aren’t to your liking, they will destroy all results and any record that you engaged their services. Good lord.

Guess this is a good argument for going to lots of events and following your random interests. Eventually they all end up tied in one knot. When it rains, it pours?

Asyl

9 Nov

On 21 non-consecutive days, Kurt Kren filmed on the same piece of film stock, placing mask boards over the lens each time so that the positions of the holes are different for each exposure. A very photographic approach to video, but dynamic in a way that stills wouldn’t be.

I love his more abstract, conceptual works, but the project he’s most famous for is his documentary of the Vienna Actionists, especially Gunter Brus and Otto Muehl. If you’re going to look them up, all I can say is… severe brown alert! High tolerance for blood and guts required. I was pleased to see that intercutting close-ups of eating and shitting is surprisingly funny, at least if you have an abnormal sense of humor…

weekend silliness: time piece

7 Nov

Who knew Jim Henson has more up his sleeve than Muppets?

Thanks, Sophi!

Tony Oursler

2 Nov


Tony Oursler

Tony Oursler’s video projection work is great. I’ve been thinking about projecting onto different materials, albeit in a more abstract way, but I love the surrealist vibe in his work which wouldn’t be so striking if the work were abstract.

Luke Savisky’s eye watching over Austin (low quality video alert – though I maintain that the orange coloring adds to the freakish experience…) seems like a natural continuation of Oursler’s eye projections. Can you imagine if a giant eyeball was projected onto a round water tower looming over every city? Too Lord of the Rings?

There Once Was an Island

29 Oct

Trailer for There Once was an Island: Te Henua e Nnoho from On The Level Productions on Vimeo.

One of our documentary film MFA students, Briar March, has just screened her film, There Once Was an Island, about climate change’s effects on a tiny Polynesian island as a part of the UN Film Festival. I wasn’t able to make it since I had to shoot for the paper in the middle of it, but mark my words I am going to have to wrangle a way to see this film…

I want to see how you see

14 Oct

I love this song, if you can call it that. I thought the video was a bit gimmicky at first, but that voice and that guitar noise just pulled me in and left me half-witted and stunned. (Parts around the 3m mark are mildly NSFW.)


Pipilotti Rist, I Want to See How You See

Thanks again to Jeremiah. “Heeeey, mama!”

wonder maker

10 Oct

So funny yet so sad. You have to watch til the end for the full effect. Does make you wonder why Hollywood hasn’t adopted the perpetually looping explosion…


Dara Birnbaum, Technology/Transformation: Wonder Woman (1978)

Thanks to Jeremiah!